Tag Archives: chancel

The nave and chancel facing east, the Church of St Mary, Badley, Suffolk, England

The nave and chancel facing east, the Church of St Mary, Badley, Suffolk, England
Church furniture
Image by Hunky Punk
The furniture varies in age, but most of the pews benches and ends are of unstained weathered oak. The poppyhead bench ends are 15th C. "The roof is supported by king-posts which rest upon tiebeams. These may date back to the 14th century, as do several roofs in this part of Suffolk. The floor is paved with quarry tiles and numerous burial slabs." –The church guide (Roy Tricker, 1996)

Boston – Back Bay: Trinity Church – Facing the Chancel

Boston – Back Bay: Trinity Church – Facing the Chancel
Trinity Church
Image by wallyg
The chancel and altar at Trinity Church, designed by Charles Donagh Maginnis and Timothy Walsh in 1938, are backed by a series of seven stained glass windows and seven gilded marble bas-relief panels. The panels, executed by Ernest Pellegrini, depict from left to right: Phillips Brooks, John Wesley, John Wycliffe, St. Francis, St. Augustine, St. Athanasius and St. Paul. The stained glass windows, by Clayton and Bell, from left to right, are: The Nativity, Jesus in the Temple with the Doctors, The Baptism, The Preacher, The Last Supper, The Resurrection and The commission to the Apostles.

Facing the Chancel, Trinity Church’s mural featuring figures of scriptual writers, was executed by John La Farge in 1877. It features St. Peter, St. Paul, Isaiah, Jeremiah, David and Moses. In only 5 months, an unknown at the time La Farge and his team executed 21,500 square feet of murals and decorative design. Trinity’s mural decoration is significant in that the art was not an afterthought, but was designed with input from the artist, architect, and client to seamlessly integrate with the architecture.

Trinity Church, at 206 Clarendon Street, was built from 1873 to 1876 by Henry Hobson Richardson. The Episcopal parish, founded in 1733, originally worshiped on Summer Street until it was destroyed in the Great Fire of 1872. Under the direction of Rector Phillips Brooks, Hobson was commissioned to design a replacement in Copley Square. Trinity Church helped establish Richardson’s reputation, becoming the birthplace and archetype of the Richardsonian Romanesque style, characterized by a clay roof, polychromy, rough stone, heavy arches, and a massive tower.

The building’s plan is a modified Greek Cross with four arms extending outwards from the central tower, which stands 211 ft tall. Situated in Copley Square, which was originally a mud flat, Trinity rests on some 4500 wooden piles, each driven through 30 feet of gravel fill, silt, and clay, and constantly wetted by a pump so they do not rot if exposed to air. The Church’s windows were originally clear glass at consecration but later adorned. Four windows were designed by Edward Burne-Jones and executed by William Morris. Another four windows were done by La Farge, who used a revolutionary style of layering opalescent glass.

In 2007, Trinity Church was ranked #25 on the AIA 150 America’s Favorite Architecture list.

Trinity Church National Register #70000733 (1970)

Boston – Back Bay: Trinity Church – Chancel and Altar

Boston – Back Bay: Trinity Church – Chancel and Altar
Trinity Church
Image by wallyg
The chancel and altar at Trinity Church, designed by Charles Donagh Maginnis and Timothy Walsh in 1938, are backed by a series of seven stained glass windows and seven gilded marble bas-relief panels. The panels, executed by Ernest Pellegrini, depict from left to right: Phillips Brooks, John Wesley, John Wycliffe, St. Francis, St. Augustine, St. Athanasius and St. Paul. The stained glass windows, by Clayton and Bell, from left to right, are: The Nativity, Jesus in the Temple with the Doctors, The Baptism, The Preacher, The Last Supper, The Resurrection and The commission to the Apostles.

Trinity Church, at 206 Clarendon Street, was built from 1873 to 1876 by Henry Hobson Richardson. The Episcopal parish, founded in 1733, originally worshipped on Summer Street until it was destroyed in the Great Fire of 1872. Under the direction of Rector Phillips Brooks, Hobson was commissioned to design a replacement in Copley Square. Trinity Church helped establish Richardson’s reputation, becoming the birthplace and archetype of the Richardsonian Romanesque style, characterized by a clay roof, polychromy, rough stone, heavy arches, and a massive tower.

The building’s plan is a modified Greek Cross with four arms extending outwards from the central towner, which stands 211 ft tall. Situated in Copley Square, which was originally a mud flat, Trinity rests on some 4500 wooden piles, each driven through 30 feet of gravel fill, silt, and clay, and constantly wetted by a pump so they do not rot if exposed to air.

Its interior murals, which cover over 21,500 square feet were completed entirely by American artists. Richardson and Brooks decided that a richly colored interior was essential and turned to an at the time unknown John La Farge. The Church’s windows were originally clear glass at consecration but later adorned. Four windows were designed by Edward Burne-Jones and executed by William Morris. Another four windows were done by La Farge, who used a revolutionary style of layering opalescent glass.

In 2007, Trinity Church was ranked #25 on the AIA 150 America’s Favorite Architecture list.

Trinity Church National Register #70000733 (1970)

Boston – Back Bay: Trinity Church – Chancel and Altar

Boston – Back Bay: Trinity Church – Chancel and Altar
Trinity Church
Image by wallyg
The chancel and altar at Trinity Church, designed by Charles Donagh Maginnis and Timothy Walsh in 1938, are backed by a series of seven stained glass windows and seven gilded marble bas-relief panels. The panels, executed by Ernest Pellegrini, depict from left to right: Phillips Brooks, John Wesley, John Wycliffe, St. Francis, St. Augustine, St. Athanasius and St. Paul. The stained glass windows, by Clayton and Bell, from left to right, are: The Nativity, Jesus in the Temple with the Doctors, The Baptism, The Preacher, The Last Supper, The Resurrection and The commission to the Apostles.

Trinity Church, at 206 Clarendon Street, was built from 1873 to 1876 by Henry Hobson Richardson. The Episcopal parish, founded in 1733, originally worshipped on Summer Street until it was destroyed in the Great Fire of 1872. Under the direction of Rector Phillips Brooks, Hobson was commissioned to design a replacement in Copley Square. Trinity Church helped establish Richardson’s reputation, becoming the birthplace and archetype of the Richardsonian Romanesque style, characterized by a clay roof, polychromy, rough stone, heavy arches, and a massive tower.

The building’s plan is a modified Greek Cross with four arms extending outwards from the central towner, which stands 211 ft tall. Situated in Copley Square, which was originally a mud flat, Trinity rests on some 4500 wooden piles, each driven through 30 feet of gravel fill, silt, and clay, and constantly wetted by a pump so they do not rot if exposed to air.

Its interior murals, which cover over 21,500 square feet were completed entirely by American artists. Richardson and Brooks decided that a richly colored interior was essential and turned to an at the time unknown John La Farge. The Church’s windows were originally clear glass at consecration but later adorned. Four windows were designed by Edward Burne-Jones and executed by William Morris. Another four windows were done by La Farge, who used a revolutionary style of layering opalescent glass.

In 2007, Trinity Church was ranked #25 on the AIA 150 America’s Favorite Architecture list.

Trinity Church National Register #70000733 (1970)

Boston – Back Bay: Trinity Church – Chancel and Altar

Boston – Back Bay: Trinity Church – Chancel and Altar
Trinity Church
Image by wallyg
The chancel and altar at Trinity Church, designed by Charles Donagh Maginnis and Timothy Walsh in 1938, are backed by a series of seven stained glass windows and seven gilded marble bas-relief panels. The panels, executed by Ernest Pellegrini, depict from left to right: Phillips Brooks, John Wesley, John Wycliffe, St. Francis, St. Augustine, St. Athanasius and St. Paul. The stained glass windows, by Clayton and Bell, from left to right, are: The Nativity, Jesus in the Temple with the Doctors, The Baptism, The Preacher, The Last Supper, The Resurrection and The commission to the Apostles.

Trinity Church, at 206 Clarendon Street, was built from 1873 to 1876 by Henry Hobson Richardson. The Episcopal parish, founded in 1733, originally worshipped on Summer Street until it was destroyed in the Great Fire of 1872. Under the direction of Rector Phillips Brooks, Hobson was commissioned to design a replacement in Copley Square. Trinity Church helped establish Richardson’s reputation, becoming the birthplace and archetype of the Richardsonian Romanesque style, characterized by a clay roof, polychromy, rough stone, heavy arches, and a massive tower.

The building’s plan is a modified Greek Cross with four arms extending outwards from the central towner, which stands 211 ft tall. Situated in Copley Square, which was originally a mud flat, Trinity rests on some 4500 wooden piles, each driven through 30 feet of gravel fill, silt, and clay, and constantly wetted by a pump so they do not rot if exposed to air.

Its interior murals, which cover over 21,500 square feet were completed entirely by American artists. Richardson and Brooks decided that a richly colored interior was essential and turned to an at the time unknown John La Farge. The Church’s windows were originally clear glass at consecration but later adorned. Four windows were designed by Edward Burne-Jones and executed by William Morris. Another four windows were done by La Farge, who used a revolutionary style of layering opalescent glass.

In 2007, Trinity Church was ranked #25 on the AIA 150 America’s Favorite Architecture list.

Trinity Church National Register #70000733 (1970)

Boston – Back Bay: Trinity Church – Facing the Chancel

Boston – Back Bay: Trinity Church – Facing the Chancel
Trinity Church
Image by wallyg
Facing the Chancel, Trinity Church’s mural featuring figures of scriptual writers, was executed by John La Farge in 1877. It features St. Peter, St. Paul, Isaiah, Jeremiah, David and Moses. In only 5 months, an unknown at the time La Farge and his team executed 21,500 square feet of murals and decorative design. Trinity’s mural decoration is significant in that the art was not an afterthought, but was designed with input from the artist, architect, and client to seamlessly integrate with the architecture.

Trinity Church, at 206 Clarendon Street, was built from 1873 to 1876 by Henry Hobson Richardson. The Episcopal parish, founded in 1733, originally worshiped on Summer Street until it was destroyed in the Great Fire of 1872. Under the direction of Rector Phillips Brooks, Hobson was commissioned to design a replacement in Copley Square. Trinity Church helped establish Richardson’s reputation, becoming the birthplace and archetype of the Richardsonian Romanesque style, characterized by a clay roof, polychromy, rough stone, heavy arches, and a massive tower.

The building’s plan is a modified Greek Cross with four arms extending outwards from the central tower, which stands 211 ft tall. Situated in Copley Square, which was originally a mud flat, Trinity rests on some 4500 wooden piles, each driven through 30 feet of gravel fill, silt, and clay, and constantly wetted by a pump so they do not rot if exposed to air. The Church’s windows were originally clear glass at consecration but later adorned. Four windows were designed by Edward Burne-Jones and executed by William Morris. Another four windows were done by La Farge, who used a revolutionary style of layering opalescent glass.

In 2007, Trinity Church was ranked #25 on the AIA 150 America’s Favorite Architecture list.

Trinity Church National Register #70000733 (1970)

Heaven’s Jubilee Melody by FBC of Jacksonville, Florida Chancel Choir in 1998

The First Baptist Church of Jacksonville, Florida Choir under the direction of Rodney Brooks (now at FBC of Atlanta) singing a melody inlcuding “Heaven’s Jubilee”, “When we all get to Heaven” and “Everybody will be happy over there” on February 3rd 1998 at the annual Pastor’s Conference held at that church. I was in attendance for this service. Dr. WA Criswell would preach his last public sermon (at almost 90) during this service. See my videos for a video of that as well as other songs from this service.